14 replies to this topic

[pooneil]

Preferirei che linkaste pezzi da YT perché vorrei fare un confronto con quello anni '80 di R.E.M., Smiths etc. etc.

[jap zero]

vediamo un po'....


Sugar - "If I can't change your mind"

http://www.youtube.c...h?v=aHnFIaLp_ys

Wilco - "Box full of letters"

http://www.youtube.c...h?v=pePO816OxSo

The Jayhawks - "Pray for me"

http://www.youtube.c...h?v=XN5F576Rn1o

The La's - "There she goes again"

http://www.youtube.c...h?v=CZXLLMbJdZ4

Teenage FanClub - "About You"

http://www.youtube.c...h?v=JjLElZUNJN0


Tom Petty& Roger McGuinn - "King of the Hill"

http://www.youtube.c...h?v=Jr1ozA6GeRs

[pooneil]

Grazie, mi sembra che sia un suono troppo poco rappresentativo dei '90s per fare paragoni con il decennio precedente comunque.

[Tom]

Ottimi sono i The Sadies, anche se non sono del tutto in topic.
 
Infatti è un gruppo di surf country sì attivo da metà 90, ma che in realtà fino al 2005 ha inciso solo dischi di surf-rock duro e puro, quindi con brani brevissimi e spediti, anche se non mancavano i riferimenti anche al jingle jangle byrdsiano.
E' solo nel 2007 con New Season che incidono un album normale, dove per altro sono identici ai Byrds periodo Younger Than Yesterday e The Notorious Byrd Brothers. Il loro capolavoro è il successivo Darker Circles, del 2010, un filotto di canzoni incantante.

 

[PinkFreud]

non sono anni '90 però

 

[jap zero]

Grazie, mi sembra che sia un suono troppo poco rappresentativo dei '90s per fare paragoni con il decennio precedente comunque.

dipende da cosa intendi...probabilmente nei 90s non è spuntato fuori un singolo nome del calibro di REM, Petty o Replacements in grado di rivitalizzare completamente il lascito byrdsiano; ma ad esempio l'alt-country per me e' molto rappresentativo dei 90s e li' l'influsso dei Byrds e' evidente, cosi' come in tanto indie-rock

si ascoltino anche i Lemonheads in tal senso

http://www.youtube.c...h?v=n4zVYRBHPyM

alla fine il jingle jangle dei byrds nei 90s e' diventato un archetipo, come la ballata minimale alla terzo lp dei velvet o il pezzo elettrico, marziale e tirato, di Young

[jap zero]

mi ero dimenticato questa

 

[Filippo]

Matthew Sweet

 

[cerezo]

mi ricordavo ci fosse un altro topic sul jangle pop
vabbè, siamo un filo prima dei 90 ma questa va assolutamente segnalata, tralaltro prima compilation archeologica curata dalla captured tracks



https://strumandthru...round-1983-1987

Strum & Thrum: The American Jangle Underground 1983-1987 is the first volume of Captured Tracks' new venture into compilations – Excavations.

Inspired by Pebbles, Killed By Death, Soul Jazz and Numero Group compilations, Excavations is a series dedicated to compiling forgotten music from the 1970s – 1990s that has a connection to Captured Tracks’ sound and aesthetic. Much like the Cleaners from Venus, the Wake, and Saäda Bonaire reissues we’ve put out, Excavations releases will bridge the past to our current roster and showcase the kinds of sounds that inspire us.

It makes sense that the first volume of Excavations is Strum & Thrum. As an American label, we've often wondered why British, Aussie, and Kiwi indie rock from the ‘80s has had the most influence on modern acts and the collector's market. Granted, the music released on Creation, Sarah, Cherry Red, Postcard, Flying Nun, et al. during that era was fantastic, but a parallel to this sound existed in the US and Canada as well. Outside of bands like R.E.M., the Rain Parade, the Dream Syndicate, and a few others, most of these bands received little attention from national or international press outlets and markets – unless they opted for a “big ‘80s” sound and signed to a major. The acts on this compilation are the antithesis of that, with a true DiY spirit that lead many of these bands to self-record and self-release within tiny local scenes in small cities and college towns across America.

Though hardcore dominated the American underground at the time, the indie scene was no less vital and operated utilizing many of the distribution channels hardcore set up. The two genres may have sounded nothing alike, but the DiY ethos and dedication to community was the same… But this isn’t the story we’re used to hearing. While noted underground archivist and compilation producer Johan Kugelberg has called the ‘80s the “Dark Ages” of indie rock, Strum & Thrum aims to shed light on this forgotten era of jangly, melodic rock music that emerged from the ashes of post punk and helped kick start the indie rock boom of the early ‘90s that continues to this day. Indeed, many artists featured on Strum & Thrum went on to be part of this boom – Archer Prewitt from the Sea & Cake, Jon Ginoli from Pansy Division, Ric Menck from Velvet Crush, Brent Rademaker from Beachwood Sparks, Barbara Manning, and more went on to be in well known bands in the ‘90s.

We’re very proud of this compilation and guarantee it’s an essential listen for any fan of classic ‘80s indie bands like the Go-Betweens, Felt, the Church, the Bats, Shop Assistants, and the like. And if you’re a fan of the early records Captured Tracks released by Beach Fossils, DIIV and Wild Nothing, you’ll find a lot to love here as well.

Spread across two LPs, Strum & Thrum includes an 80+ page booklet with an extensive oral history of the ‘80s indie scene, an introduction by Captured Tracks label head Mike Sniper, and tons of archival images and ephemera. Long live the jangle underground!

[Garp Buzzy Power]

Grazie a bandcamp l'altro giorno ho scoperto sta meraviglia qua

 

 

Praticamente avevamo i REM, Dream Syndicate Long Ryders nostrani di stanza in Piemonte (Bra) ed in pochi se ne erano accorti?

 

[tupelo]

Agevoliamo la recensione:

 

https://www.ondarock...tellandmore.htm

[geeno]

L'utente punck molti anni fa postò sul forum una compilation fatta in casa di roba così, tutti gruppi italiani anni 80 di supernicchia che rifacevano gli anni 60. Preziosissimo, purtroppo non la trovo più sui miei hard disc e non si può più scaricare (cerezo mandami i componenti e un pm!). C'era addirittura il thread: http://forum.ondaroc...italiano-85-90/

[Garp Buzzy Power]

mi ricordavo ci fosse un altro topic sul jangle pop
vabbè, siamo un filo prima dei 90 ma questa va assolutamente segnalata, tralaltro prima compilation archeologica curata dalla captured tracks



https://strumandthru...round-1983-1987

Strum & Thrum: The American Jangle Underground 1983-1987 is the first volume of Captured Tracks' new venture into compilations – Excavations.

Inspired by Pebbles, Killed By Death, Soul Jazz and Numero Group compilations, Excavations is a series dedicated to compiling forgotten music from the 1970s – 1990s that has a connection to Captured Tracks’ sound and aesthetic. Much like the Cleaners from Venus, the Wake, and Saäda Bonaire reissues we’ve put out, Excavations releases will bridge the past to our current roster and showcase the kinds of sounds that inspire us.

It makes sense that the first volume of Excavations is Strum & Thrum. As an American label, we've often wondered why British, Aussie, and Kiwi indie rock from the ‘80s has had the most influence on modern acts and the collector's market. Granted, the music released on Creation, Sarah, Cherry Red, Postcard, Flying Nun, et al. during that era was fantastic, but a parallel to this sound existed in the US and Canada as well. Outside of bands like R.E.M., the Rain Parade, the Dream Syndicate, and a few others, most of these bands received little attention from national or international press outlets and markets – unless they opted for a “big ‘80s” sound and signed to a major. The acts on this compilation are the antithesis of that, with a true DiY spirit that lead many of these bands to self-record and self-release within tiny local scenes in small cities and college towns across America.

Though hardcore dominated the American underground at the time, the indie scene was no less vital and operated utilizing many of the distribution channels hardcore set up. The two genres may have sounded nothing alike, but the DiY ethos and dedication to community was the same… But this isn’t the story we’re used to hearing. While noted underground archivist and compilation producer Johan Kugelberg has called the ‘80s the “Dark Ages” of indie rock, Strum & Thrum aims to shed light on this forgotten era of jangly, melodic rock music that emerged from the ashes of post punk and helped kick start the indie rock boom of the early ‘90s that continues to this day. Indeed, many artists featured on Strum & Thrum went on to be part of this boom – Archer Prewitt from the Sea & Cake, Jon Ginoli from Pansy Division, Ric Menck from Velvet Crush, Brent Rademaker from Beachwood Sparks, Barbara Manning, and more went on to be in well known bands in the ‘90s.

We’re very proud of this compilation and guarantee it’s an essential listen for any fan of classic ‘80s indie bands like the Go-Betweens, Felt, the Church, the Bats, Shop Assistants, and the like. And if you’re a fan of the early records Captured Tracks released by Beach Fossils, DIIV and Wild Nothing, you’ll find a lot to love here as well.

Spread across two LPs, Strum & Thrum includes an 80+ page booklet with an extensive oral history of the ‘80s indie scene, an introduction by Captured Tracks label head Mike Sniper, and tons of archival images and ephemera. Long live the jangle underground!

 

Come direbbe Massimo Tecca "che bellezza!"

[Garp Buzzy Power]

 

mi ricordavo ci fosse un altro topic sul jangle pop
vabbè, siamo un filo prima dei 90 ma questa va assolutamente segnalata, tralaltro prima compilation archeologica curata dalla captured tracks



https://strumandthru...round-1983-1987

Strum & Thrum: The American Jangle Underground 1983-1987 is the first volume of Captured Tracks' new venture into compilations – Excavations.

Inspired by Pebbles, Killed By Death, Soul Jazz and Numero Group compilations, Excavations is a series dedicated to compiling forgotten music from the 1970s – 1990s that has a connection to Captured Tracks’ sound and aesthetic. Much like the Cleaners from Venus, the Wake, and Saäda Bonaire reissues we’ve put out, Excavations releases will bridge the past to our current roster and showcase the kinds of sounds that inspire us.

It makes sense that the first volume of Excavations is Strum & Thrum. As an American label, we've often wondered why British, Aussie, and Kiwi indie rock from the ‘80s has had the most influence on modern acts and the collector's market. Granted, the music released on Creation, Sarah, Cherry Red, Postcard, Flying Nun, et al. during that era was fantastic, but a parallel to this sound existed in the US and Canada as well. Outside of bands like R.E.M., the Rain Parade, the Dream Syndicate, and a few others, most of these bands received little attention from national or international press outlets and markets – unless they opted for a “big ‘80s” sound and signed to a major. The acts on this compilation are the antithesis of that, with a true DiY spirit that lead many of these bands to self-record and self-release within tiny local scenes in small cities and college towns across America.

Though hardcore dominated the American underground at the time, the indie scene was no less vital and operated utilizing many of the distribution channels hardcore set up. The two genres may have sounded nothing alike, but the DiY ethos and dedication to community was the same… But this isn’t the story we’re used to hearing. While noted underground archivist and compilation producer Johan Kugelberg has called the ‘80s the “Dark Ages” of indie rock, Strum & Thrum aims to shed light on this forgotten era of jangly, melodic rock music that emerged from the ashes of post punk and helped kick start the indie rock boom of the early ‘90s that continues to this day. Indeed, many artists featured on Strum & Thrum went on to be part of this boom – Archer Prewitt from the Sea & Cake, Jon Ginoli from Pansy Division, Ric Menck from Velvet Crush, Brent Rademaker from Beachwood Sparks, Barbara Manning, and more went on to be in well known bands in the ‘90s.

We’re very proud of this compilation and guarantee it’s an essential listen for any fan of classic ‘80s indie bands like the Go-Betweens, Felt, the Church, the Bats, Shop Assistants, and the like. And if you’re a fan of the early records Captured Tracks released by Beach Fossils, DIIV and Wild Nothing, you’ll find a lot to love here as well.

Spread across two LPs, Strum & Thrum includes an 80+ page booklet with an extensive oral history of the ‘80s indie scene, an introduction by Captured Tracks label head Mike Sniper, and tons of archival images and ephemera. Long live the jangle underground!

 

Come direbbe Massimo Tecca "che bellezza!"

 

 

Grazie a questa compila ho scoperto quest'altra delizia che se non erro postò wild in un qualche topic indie-pop

 

 

Non tutte le tracce a fuoco però le prime paisley sono incredibili

 

[Tony Randine]

Anche se il topic più adatto sarebbe Copertine: corrispondenze...